انتشارات Edinburgh
The Computer-Animated Film: Industry, Style and Genre
Christopher Holliday, 2018
Genre, Authorship and Contemporary Women Filmmakers
Katarzyna Paszkiewicz, 2018
The Edinburgh Companion to Children's Literature (Edinburgh Companions to Literature) (Edinburgh Companions to Literature and the Humanities)
Clementine Beauvais, Clémentine Beauvais (editor), 2017
The post-political and its discontents spaces of depoliticization, spectres of radical politics
Japhy Wilson; E. Swyngedouw, 2015
Key Concepts in Contemporary Popular Fiction (Key Concepts in Literature)
Bernice M. Murphy, 2017
Haptic Modernism: Touch and the Tactile in Modernist Writing
Abbie Garrington, 2013
Transnational Film Remakes
Iain Robert Smith and Constantine Verevis, 2017
ReFocus: The Films of Elaine May
Alexandra Heller-Nicholas and Dean Brandum, 2019
The Edinburgh Companion to Liz Lochhead
Anne Varty, 2013
ReFocus: The Films of Teuvo Tulio, An Excessive Outsider
Henry Bacon, Kimmo Laine and Jaakko Seppälä, 2020
Creative Practice Research in the Age of Neoliberal Hopelessness
Agnieszka Piotrowska, 2020
Cinematic Nihilism: Encounters, Confrontations, Overcomings
John Marmysz, 2017
Research Methods for Reading Digital Data in the Digital Humanities
Gabriele Griffin (editor), Matt Hayler (editor), 2016
Deleuze and Baudrillard: From Cyberpunk to Biopunk
Sean McQueen, 2016
The imagery and poetry of Lucretius
David West, 1969
Regime Change in Contemporary Turkey
Necati Polat, 2016
Political Theology: Demystifying the Universal (Encounters in Law and Philosophy) (Encounters in Law & Philosophy)
Marinos Diamantides, Anton Schutz, 2017
The Pulse in Cinema: The Aesthetics of Horror
Mee, Sharon Jane, 2020
And Now for Something Completely Different: Critical Approaches to Monty Python
Jeffrey Andrew Weinstock; Kate Egan, 2020
Universe and Inner Self in Early Indian and Early Greek Thought
Richard Seaford, 2016
