انتشارات Univ Of Utah Pr (tx)
Worldmaking: Race, Performance, and the Work of Creativity
Dorinne Kondo, 2018
The Antonio Gramsci Reader: Selected Writings 1916-1935
David Forgacs (editor), 2000
The Injustice Never Leaves You: Anti-Mexican Violence in Texas
Monica Muñoz Martinez, 2018
History, Rhetoric, and Proof: The Menachem Stern Lectures in History
Carlo Ginzburg, 1999
Being and Time: A Revised Edition of the Stambaugh Translation
Martin Heidegger, 2010
Out Takes: Essays on Queer Theory and Film
Ellis Hanson (editor), 1999
Kurdish Awakening: Nation Building in a Fragmented Homeland
Ofra Bengio (editor), 2014
Nature and Motion in the Middle Ages
James A. Weisheipl, William E. Carroll (editor), 2018
The Indian Ladies' Magazine, 1901-1938: From Raj to Swaraj
Deborah Anna Logan, 2017
Cultural Boundaries of Science: Credibility on the Line
Thomas F. Gieryn, 1999
Petrarch's Fragmenta: The Narrative and Theological Unity of Rerum Vulgarium Fragmenta
Thomas E Peterson, 2016
Figures of Criminality in Indonesia, the Philippines, and Colonial Vietnam
Vicente L. Rafael (editor), 1999
Sensing Corporeally: Toward a Posthuman Understanding
Floyd Merrell, 2003
The Limits of Autobiography: Trauma and Testimony
Leigh Gilmore, 2001
Cleveland: A Metropolitan Reader
W. Dennis Keating (editor), Norman Krumholz (editor), David C. Perry (editor), 1995
Alef Is for Allah: Childhood, Emotion, and Visual Culture in Islamic Societies
Jamal J. Elias, 2018
Black Madness: Mad Blackness
Therí Alyce Pickens, 2019
The Limited Raj: Agrarian Relations in Colonial India, Saran District, 1793-1920
Anand A. Yang, 1992
The Way: Religious Thinkers of the Russian Emigration in Paris and Their Journal, 1925-1940
Antoine Arjakovsky, John A. Jillions (editor), Michael Plekon (editor), 2013
Colonial Odysseys: Empire and Epic in the Modernist Novel
David Adams, 2003
Naked Agency: Genital Cursing and Biopolitics in Africa
Naminata Diabate, 2020
Whatever Normal Is
Jane St. Anthony, 2019
Living on Campus: An Architectural History of the American Dormitory
Carla Yanni, 2019
