دانلود کتاب Wake Up & Notice with Interest: An Exploration of the Alexander Technique
by John Carpmael, Claudia Grist
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عنوان فارسی: از خواب بیدار و متوجه علاقه: اکتشاف از روش الکساندر |
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In this process of getting clearer about The Alexander Technique, it is my pupils who have been the strongest influence on me. They ask me the questions which I could not have formulated on my own; they question the assumptions which until that moment had seemed so obvious and unassailable to me; or I will hear myself opening up a subject for a pupil and I will listen as I say things that I didn’t know that I knew.
However, I am getting ahead of myself. There are many things which need to be explained first.
People come to me for lessons in The Alexander Technique for many different reasons. Many have very physical complaints: a bad back, stiff joints, breathing problems, headaches, poor digestion and so on. Some have issues that are more mental and emotional: for example, anxiety, mood swings, depression, anger, sadness. Others are there to gain skills which will allow them to go further with their chosen profession or hobby: perhaps in a sport, or in music, drama or dance. Some may be troubled by difficulties in their existing relationships, or in making new ones. Others may want to find direction in their lives; they may be fine generally but feel that there must be more to life than just this. Most are a mix of all of these.
Many will have tried all sorts of other approaches before they finally get around to the Alexander Technique. It is not the first or most obvious choice for the majority of people. The attitude very often is “Well, I’ve tried everything else.” This is not surprising. The Alexander Technique does not have a high profile amongst the general public. If people have heard of it, it will be in a certain context: “It’s good for people with bad backs”, or “Actors and musicians use it to help them perform better.” The most commonly held belief about the Technique seems to be that: “It’s about posture.”
When a new pupil comes for a first lesson with me, I start by explaining the pattern of the lesson. I say that this lesson will last an hour though future lessons will only last forty minutes. I tell them that I will start by asking them two questions; I will then talk about the Technique and after that I will start to work with them: putting my hands on them while still talking about the Technique. Finally I let them know that there will be time at the end to discuss their next steps....