دانلود کتاب Configurações do pós-digital: arte e cultura tecnológicas: Artes digitais; new media art; arte tecnológica; arte ciência; cultura digital; humanidades digitais; educação

A book with participation of: Lucia Santaella (Forewords) Ana Tereza Brandão Carlos Augusto M. da Nóbrega Carlos Henrique Paulino Carlos Henrique Rezende Falci Casey Reas Cátia Rodrigues Barbosa Celina Figueiredo Lage Débora Aita Gasparetto Francisco Carlos de Carvalho Marinho Helena Barranha Ítalo Travenzoli Izabela Marcolino Carvalho Costa João Victor Boechat Gomide José Ricardo da Costa Miranda Júnior Jussi Parikka Lynn Alves ​Lucia Dossin Marcelo Franco Porto Margreet Riphagen Maria Luiza P. G. Fragoso Marinah R. C. Ribeiro Miriam Rasch Nara Cristina Santos Pablo Gobira Regina Mota Renata Maria Abrantes Baracho Rogério Barbosa da Silva Suzete Venturelli ​Tadeus Mucelli Tânia Fraga Tatiana Paz Tulio Ottoni "(...) There are at least two meanings in which post-digital can be understood. First, considering the prefix "post" in its temporal meaning, "after", post-digital would be referring to everything that came after the expanding and refined installation of computational algorithms in all human activities. It is a neutral, strictly chronological sense. But there is also a critical sense: it is necessary to go through its gains and losses. This is what is meant by "post-digital". Gone are the days of euphoria, by the way, accompanied by dysphoria that in its extremes nostalgically announced the apocalypse. Fortunately, a time of exceeding thoughts concerning the digital has gone. Now is time to face its ambivalences, paradoxes and contradictions. This is precisely what has been called "post-digital". The book contains a myriad of perspectives, fine prismatic subdivisions of the technological art in its digital features with specific details of the production that makes use of new generation devices and resources, such as kinect cameras,multi interactive media, cyber interventions, mixed and augmented reality, three-dimensional modeling, programmable environments, complex algorithms, neural helmets, etc. On the other hand, the book is punctuated with theoretical and critical essays in which the new conditions of the museum, artists’ books, hybrid arts, authorship, digital art festival, digital cinematography and last but not least, geophysical materiality and geochemistry of the media are rethought and faced in the light of the most current challenges." - from preface by Lucia Santaella.