دانلود کتاب Book.1 Greek Alphabet._Book.2_ 14 Alphabets & The Metousiotis._Book.3 PhD Dissertation Plan

Book 1: According to the hypothesis, every letter of a word, except for the sound of a
voice, gives meaning. The meaning comes from reading the letters of the word.
Also, the letters are placed on the circle (24, 27, 30, 36, 40 of equidistant points)
and show geometric correlations (angles and straight segments) with each other.
Every word creates a zigzag line, creating isosceles triangles or trapezium etc.,
in a circle. The words were placed on the circle to further support the case. The
letters of the Greek alphabet are said to be based on geometric shapes that condense
proportions, semantic structures, and meanings.
In the present study, some indications of the correlation between alphabet and
geometry were presented. An attempt was made to summarize and compare them
with elements of ancient times in order to approach their design to a minimum
via suppositions based on assumptions and scientific views.

Book 2: I draw 112 words for each of the 14 languages (Arabic, Basque, English, Finnish,
French, German, Greek, Hebrew, Icelandic, Italian, Latin, Russian, Spanish,
and Swedish) in 112 different circles, and I detect every word creates a zigzag
line, as isosceles triangles & trapezium, equilateral & right triangles, pentagrams,
etc., in a circle. When I place the letters of the 14 alphabets on a circle (for example
24, 27, 29, 30, 36, etc. of equal distances), I notice geometric relationships (angles
and straight segments) between them. First, I note this property in words that were
instrumental in establishing philosophical thought and theological belief, but extend
to words of secondary significance, like “hello,” “infant,” and “voice.” It is a proven
fact that ancient civilizations have employed the letters of alphabets in mathematical
operations. Ι conjecture a tacit relationship between alphabets and geometry,
which descended from a long-standing habit of engaging in math and geometry.
As stated in the hypothesis, Greek capital letters are based on geometric shapes
that condense proportions, semantic structures, and meanings (Semiology). I
depict and compare them with ancient elements in an attempt to approach their
design based on assumptions and scientific principles. In addition, I am seeking
numerical and geometrical correlations that contribute to the production of very
few words (in Greek and English), such as “Chaos” (ΧΑΟΣ), “Goddess” (ΘΕΑ),
“God” (ΘΕΟΣ), “Jove” (ΔΙΑΣ), “Zeus” (ΖΕΥΣ), “Marduk” (ΜΑΡΔΟΥΚ). In
the annotation, the terms interrelate with the Fibonacci and Lucas sequences.
The process involves the changeover of numbers into letters to ascertain the
presence of the chosen words in tables. By coincidence, these words appear in
tables and relevant drawings as a result of replacing numerals with letters. My
theory is supported by the fact that “Mesopotamians used mathematical
tables extensively to relieve the tedium of long calculations” (Joseph, 2011:
142). Among the many problems I encounter are the two arithmetic sequences
that have emerged after some alphabets, such as Greek and Hebrew. Despite this, I
assume that the two arithmetic sequences existed in ancient times, because other
studies tend to support this hypothesis.
The aim is to create novel design tools to approach architectural design via the
spoken language (“Metousiotis”). The vision (utopia) is to discover a mechanism
for word creation and the interrelationship between languages (a common basis).

Book 3: PhD Dissertation Plan