جزییات کتاب
In New Drama in Russian, Julie Curtis brings together an international team of leading scholars and practitioners to analyze the role of New Drama in the post-Soviet era. Since the fall of the Soviet Union in 1991, theatres, dramatists, and critics have used the genre as a lens through which to explore a wide topics from human rights and crime to sexuality and racism. Through providing analytical surveys of the transnational and outspoken genre alongside case-studies of plays and interviews with playwrights, this volume sheds much-needed light on the key issues of performance, politics, and protest in the post-Soviet world.