دانلود کتاب Ästhetiken des Untergangs: Phänomenologische Betrachtung von Narrationsmöglichkeiten der Moderne. Hölderlin - Nietzsche - Jünger - Krach

Doomings are real phenomena within the human and natural world, culture, history, and religion. Perhaps no other phenomenon has such a great attraction and yet remains so invisible and hidden. All people are always surrounded by dooms. Not only the daily run of the stars shows this, but also the change of seasons, the growing, blooming and finally the dying of man. It could therefore be rightly said that this phenomenon is so everyday, so immediate that it does not need an exact discussion about it. Nevertheless, it has a peculiar relationship with the downfall: even if it always announces the end and thus above all reminds of suffering, pain and death, it has its peculiar place in the human world and above all in art. Thus, the destruction seems to be an inescapable motif, but which has not been sufficiently appreciated in research nor even noticed as an individual phenomenon. The present research work is therefore dedicated to pursuing the specific aesthetics of the phenomenon. With the help of phenomenological questions, it has been proven that narrations of doom have their firm place in the cultural history of modernity, even closely connected to this current of time. More broadly, one has to say: modernity is the constant narrative of its own demise.