دانلود کتاب A New Companion to English Renaissance Literature and Culture, Volume One and Two

Content: Chapter 1 Introduction (pages 1–11): Michael HattawayChapter 2 The English Language of the Early Modern Period (pages 13–26): Arja NurmiChapter 3 Literacy and Education (pages 27–37): Jean R. BrinkChapter 4 Rhetoric (pages 38–54): Gavin AlexanderChapter 5 History (pages 55–73): Patrick CollinsonChapter 6 Metaphor and Culture in Renaissance England (pages 74–90): Judith H. AndersonChapter 7 Early Tudor Humanism (pages 91–105): Mary Thomas CraneChapter 8 Platonism, Stoicism, Scepticism, and Classical Imitation (pages 106–119): Sarah HuttonChapter 9 Translation (pages 120–133): Liz Oakley?BrownChapter 10 Mythology (pages 134–149): Jane Kingsley?SmithChapter 11 Scientific Writing (pages 150–159): David ColcloughChapter 12 Publication: Print and Manuscript (pages 160–176): Michelle O'CallaghanChapter 13 Early Modern Handwriting (pages 177–189): Grace IoppoloChapter 14 The Manuscript Transmission of Poetry (pages 190–220): Arthur F. MarottiChapter 15 Poets, Friends, and Patrons: Donne and his Circle; Ben and his Tribe (pages 221–247): Robin RobbinsChapter 16 Law: Poetry and Jurisdiction (pages 248–262): Bradin CormackChapter 17 Spenser's Faerie Queene, Book 5: Poetry, Politics, and Justice (pages 263–273): Judith H. AndersonChapter 18 ‘Law Makes the King’: Richard Hooker on Law and Princely Rule (pages 274–288): Torrance KirbyChapter 19 Donne, Milton, and the Two Traditions of Religious Liberty (pages 289–303): Feisal G. MohamedChapter 20 Court and Coterie Culture (pages 304–319): Curtis PerryChapter 21 Courtship and Counsel: John Lyly's Campaspe (pages 320–328): Greg WalkerChapter 22 Bacon's ‘Of Simulation and Dissimulation’ (pages 329–336): Martin DzelzainisChapter 23 The Literature of the Metropolis (pages 337–351): John A. TwyningChapter 24 Tales of the City: The Plays of Ben Jonson and Thomas Middleton (pages 352–366): Peter J. SmithChapter 25 ‘An Emblem of Themselves’: Early Renaissance Country House Poetry (pages 367–378): Nicole PohlChapter 26 Literary Gardens, from More to Marvell (pages 379–395): Hester Lees?JeffriesChapter 27 English Reformations (pages 396–418): Patrick CollinsonChapter 28 Translations of the Bible (pages 419–429): Gerald HammondChapter 29 Lancelot Andrewes' Good Friday 1604 Sermon (pages 430–437): Richard HarriesChapter 30 Theological Writings and Religious Polemic (pages 438–448): Donna B. HamiltonChapter 31 Catholic Writings (pages 449–463): Robert S. MiolaChapter 32 Sectarian Writing (pages 464–477): Hilary HindsChapter 33 The English Broadside Print, c.1550–c.1650 (pages 478–526): Malcolm JonesChapter 34 The Writing of Travel (pages 527–542): Peter WomackChapter 35 England's Experiences of Islam (pages 543–556): Stephan SchmuckChapter 36 Reading the Body (pages 557–581): Jennifer WaldronChapter 37 Physiognomy (pages 582–597): Sibylle BaumbachChapter 38 Dreams and Dreamers (pages 598–610): Carole LevinChapter 39 Theories of Literary Kinds (pages 1–14): John RoeChapter 40 The Position of Poetry: Making and Defending Renaissance Poetics (pages 15–27): Arthur F. KinneyChapter 41 Epic (pages 28–41): Rachel FalconerChapter 42 Playhouses, Performances, and the Role of Drama (pages 42–59): Michael HattawayChapter 43 Continuities between ‘Medieval’ and ‘Early Modern’ Drama (pages 60–69): Michael O'ConnellChapter 44 Kyd's The Spanish Tragedy (pages 70–79): A. J. PiesseChapter 45 Boys' Plays (pages 80–93): Edel LambChapter 46 Drama of the Inns of Court (pages 94–104): Alan H. Nelson and Jessica WinstonChapter 47 ‘Tied to Rules of Flattery’? Court Drama and the Masque (pages 105–122): James KnowlesChapter 48 Women and Drama (pages 123–140): Alison FindlayChapter 49 Political Plays (pages 141–153): Stephen LongstaffeChapter 50 Jacobean Tragedy (pages 154–165): Rowland WymerChapter 51 Caroline Theatre (pages 166–175): Roy BoothChapter 52 John Ford, Mary Wroth, and the Final Scene of 'Tis Pity She's a Whore (pages 176–183): Robyn BolamChapter 53 Local Drama and Custom (pages 184–203): Thomas PettittChapter 54 The Critical Elegy (pages 204–213): John LyonChapter 55 Allegory (pages 214–224): Clara MucciChapter 56 Pastoral (pages 225–237): Michelle O'CallaghanChapter 57 Romance (pages 238–248): Helen MooreChapter 58 Love Poetry (pages 249–263): Diana E. HendersonChapter 59 Music and Poetry (pages 264–277): David LindleyChapter 60 Wyatt's ‘Who so List to Hunt’ (pages 278–287): Rachel FalconerChapter 61 The Heart of the Labyrinth: Mary Wroth's Pamphilia to Amphilanthus (pages 288–298): Robyn BolamChapter 62 Ovidian Erotic Poems (pages 299–316): Boika SokolovaChapter 63 John Donne's Nineteenth Elegy (pages 317–325): Germaine GreerChapter 64 Traditions of Complaint and Satire (pages 326–340): John N. KingChapter 65 Folk Legends and Wonder Tales (pages 341–358): Thomas PettittChapter 66 ‘Such Pretty Things would Soon be Gone’: The Neglected Genres of Popular Verse, 1480–1650 (pages 359–381): Malcolm JonesChapter 67 Religious Verse (pages 382–397): Elizabeth ClarkeChapter 68 Herbert's ‘The Elixir’ (pages 398–406): Judith WeilChapter 69 Conversion and Poetry in Early Modern England (pages 407–422): Molly MurrayChapter 70 Prose Fiction (pages 423–436): Andrew HadfieldChapter 71 The English Renaissance Essay: Churchyard, Cornwallis, Florio's Montaigne, and Bacon (pages 437–446): John LeeChapter 72 Diaries and Journals (pages 447–452): Elizabeth ClarkeChapter 73 Letters (pages 453–460): Jonathan GibsonChapter 74 Identity (pages 461–473): A. J. PiesseChapter 75 Sexuality: A Renaissance Category? (pages 474–491): James KnowlesChapter 76 Was There a Renaissance Feminism? (pages 492–501): Jean E. HowardChapter 77 Drama as Text and Performance (pages 502–512): Andrea StevensChapter 78 The Debate on Witchcraft (pages 513–522): James SharpeChapter 79 Reconstructing the Past: History, Historicism, Histories (pages 523–534): James R. SiemonChapter 80 Race: A Renaissance Category? (pages 535–544): Margo HendricksChapter 81 Writing the Nations (pages 545–554): Nicola RoyanChapter 82 Early Modern Ecology (pages 555–568): Ken Hiltner