جزییات کتاب
The most comprehensive volume ever published on Alfred Hitchcock, covering his career and legacy as well as the broader cultural and intellectual contexts of his work. Contains thirty chapters by the leading Hitchcock scholars Covers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last film Details the enduring legacy he left to filmmakers and audiences alike Content: Chapter 1 Hitchcock's Lives (pages 9–27): Thomas LeitchChapter 2 Hitchcock's Literary Sources (pages 28–47): Ken MoggChapter 3 Hitchcock and Early Filmmakers (pages 48–66): Charles BarrChapter 4 Hitchcock's Narrative Modernism: Ironies of Fictional Time (pages 67–85): Thomas HemmeterChapter 5 Hitchcock and Romance (pages 87–108): Lesley BrillChapter 6 Family Plots: Hitchcock and Melodrama (pages 109–125): Richard R. NessChapter 7 Conceptual Suspense in Hitchcock's Films (pages 126–137): Paula Marantz CohenChapter 8 “Tell Me the Story So Far”: Hitchcock and His Writers (pages 139–161): Leland PoagueChapter 9 Suspicion: Collusion and Resistance in the Work of Hitchcock's Female Collaborators (pages 162–180): Tania ModleskiChapter 10 A Surface Collaboration: Hitchcock and Performance (pages 181–197): Susan WhiteChapter 11 Aesthetic Space in Hitchcock (pages 199–218): Brigitte PeuckerChapter 12 Hitchcock and Music (pages 219–236): Jack SullivanChapter 13 Some Hitchcockian Shots (pages 237–252): Murray PomeranceChapter 14 Hitchcock's Silent Cinema (pages 253–269): Sidney GottliebChapter 15 Gaumont Hitchcock (pages 270–288): Tom RyallChapter 16 Hitchcock Discovers America: The Selznick?Era Films (pages 289–308): Ina Rae HarkChapter 17 From Transatlantic to Warner Bros (pages 309–328): David SterrittChapter 18 Hitchcock, Metteur?En?Scene: 1954–60 (pages 329–346): Joe McElhaneyChapter 19 The Universal Hitchcock (pages 347–364): William RothmanChapter 20 French Hitchcock, 1945–55 (pages 365–386): James M. VestChapter 21 Lost in Translation? Listening to the Hitchcock–Truffaut Interview (pages 387–404): Janet BergstromChapter 23 Accidental Heroes and Gifted Amateurs: Hitchcock and Ideology (pages 425–451): Toby Miller and Noel KingChapter 24 Hitchcock and Feminist Criticism: From Rebecca to Marnie (pages 452–472): Florence JacobowitzChapter 25 Queer Hitchcock (pages 473–489): Alexander DotyChapter 26 Hitchcock and Philosophy (pages 491–507): Richard GilmoreChapter 27 Hitchcock's Ethics of Suspense: Psychoanalysis and the Devaluation of the Object (pages 508–528): Todd McGowanChapter 28 Occasions of Sin: The Forgotten Cigarette Lighter and Other Moral Accidents in Hitchcock (pages 529–552): George TolesChapter 29 Hitchcock and the Postmodern (pages 553–571): Angelo RestivoChapter 30 Hitchcock's Legacy (pages 572–591): Richard Allen
درباره نویسنده
توماس لیندال (انگلیسی: Tomas Lindahl؛ زادهٔ ۲۸ ژانویهٔ ۱۹۳۸(1938-01-28)) یک دانشمند در زمینه تحقیقات سرطان اهل سوئد است.