دانلود کتاب A Companion to Media Authorship

While the idea of authorship has transcended the literary to play a meaningful role in the cultures of film, television, games, comics, and other emerging digital forms, our understanding of it is still too often limited to assumptions about solitary geniuses and individual creative expression. A Companion to Media Authorship is a ground-breaking collection that re-frames media authorship as a question of culture in which authorship is as much a construction tied to authority and power as it is a constructive and creative force of its own. Gathering together the insights of leading media scholars and practitioners, 28 original chapters map the field of authorship in a cutting-edge, multi-perspectival, and truly authoritative manner. The contributors develop new and innovative ways of thinking about the practices, attributions, and meanings of authorship.  They situate and examine authorship within collaborative models of industrial production, socially networked media platforms, globally diverse traditions of creativity, complex consumption practices, and a host of institutional and social contexts.  Together, the essays provide the definitive study on the subject by demonstrating that authorship is a field in which media culture can be transformed revitalized, and reimagined.Content: Chapter 1 Introduction (pages 1–19): Derek Johnson and Jonathan GrayChapter 2 Authorship and the Narrative of the Self (pages 21–47): John HartleyChapter 3 The Return of the Author (pages 48–68): Kristina BusseChapter 4 Making Music (pages 69–87): Olufunmilayo B. ArewaChapter 5 When is the Author? (pages 88–111): Jonathan GrayChapter 6 Hidden Hands at Work (pages 112–132): Colin BurnettChapter 7 Participation is Magic (pages 133–157): Derek JohnsonChapter 8 Telling Whose Stories? (pages 158–180): Brian EkdaleChapter 9 Never Ending Story (pages 181–199): Michele HilmesChapter 10 From Chris Chibnall to Fox (pages 200–220): Matt HillsChapter 11 Comics, Creators, and Copyright (pages 221–236): Ian GordonChapter 12 “Benny Hill Theatre” (pages 237–256): Anamik SahaChapter 13 Cynical Authorship and the Hong Kong Studio System (pages 257–274): Stephen TeoChapter 14 The Authorial Function of the Television Channel (pages 275–295): Catherine JohnsonChapter 15 The Mouse House of Cards (pages 296–313): Lindsay HoganChapter 16 Transmedia Architectures of Creation (pages 314–323): Jonathan GrayChapter 17 Dubbing the Noise (pages 324–345): Mia ConsalvoChapter 18 Authorship Below?the?Line (pages 347–369): John T. CaldwellChapter 19 Production Design and the Invisible Arts of Seeing (pages 370–390): David BrisbinChapter 20 Scoring Authorship (pages 391–402): Derek JohnsonChapter 21 #Bowdown to Your New God (pages 403–425): Louisa Ellen SteinChapter 22 Collaboration and Co?Creation in Networked Environments (pages 426–439): Megan Sapnar AnkersonChapter 23 Dawn of the Undead Author (pages 440–462): Suzanne ScottChapter 24 Authoring Hype in Bollywood (pages 463–484): Aswin PunathambekarChapter 25 Auteurs at the Video Store (pages 485–505): Daniel HerbertChapter 26 Authorship and the State (pages 506–524): Hector AmayaChapter 27 Scripting Kinshasa's Teleserials (pages 525–543): Katrien PypeChapter 28 “We Never Do Anything Alone” (pages 544–550): Jonathan Gray and Derek Johnson