دانلود کتاب A Companion to Medieval Art: Romanesque and Gothic in Northern Europe

A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars. Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Features an international and ambitious range - from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination. Content: Chapter 1 Introduction: A Sense of Loss: An Overview of the Historiography of Romanesque and Gothic Art (pages 1–43): Conrad RudolphChapter 2 Vision (pages 44–64): Cynthia HahnChapter 3 Reception of Images by Medieval Viewers (pages 65–85): Madeline Harrison CavinessChapter 4 Narrative (pages 86–105): Suzanne LewisChapter 5 Formalism (pages 106–127): Linda SeidelChapter 6 Gender and Medieval Art (pages 128–150): Brigitte Kurmann?SchwarzChapter 7 Gregory the Great and Image Theory in Northern Europe during the Twelfth and Thirteenth Centuries (pages 151–172): Herbert L. KesslerChapter 8 Art and Exegesis (pages 173–192): Christopher G. HughesChapter 9 Whodunnit? Patronage, the Canon, and the Problematics of Agency in Romanesque and Gothic Art (pages 193–212): Jill CaskeyChapter 10 Collecting (and Display) (pages 213–232): Pierre Alain MariauxChapter 11 The Concept of Spolia (pages 233–252): Dale KinneyChapter 12 The Monstrous (pages 253–273): Thomas E. A. DaleChapter 13 Making Sense of Marginalized Images in Manuscripts and Religious Architecture (pages 274–294): Laura KendrickChapter 14 Romanesque Architecture (pages 295–313): Eric FernieChapter 15 Romanesque Sculpture in Northern Europe (pages 314–333): Colum HourihaneChapter 16 Modern Origins of Romanesque Sculpture (pages 334–356): Robert A. MaxwellChapter 17 The Historiography of Romanesque Manuscript Illumination (pages 357–381): Adam S. CohenChapter 18 The Study of Gothic Architecture (pages 382–402): Stephen MurrayChapter 19 Gothic Sculpture from 1150 to 1250 (pages 403–420): Martin BuchselChapter 20 Gothic Manuscript Illustration: The Case of France (pages 421–442): Anne D. HedemanChapter 21 Glazing Medieval Buildings (pages 443–465): Elizabeth Carson PastanChapter 22 Toward a Historiography of the Sumptuous Arts (pages 466–487): Brigitte BuettnerChapter 23 East Meets West: The Art and Architecture of the Crusader States (pages 488–509): Jaroslav FoldaChapter 24 Gothic in the East: Western Architecture in Byzantine Lands (pages 510–530): Tassos C. PapacostasChapter 25 Architectural Layout: Design, Structure, and Construction in Northern Europe (pages 531–556): Marie?Therese ZennerChapter 26 Sculptural Programs (pages 557–576): Bruno BoernerChapter 27 Cistercian Architecture (pages 577–598): Peter FergussonChapter 28 Art and Pilgrimage: Mapping the Way (pages 599–618): Paula GersonChapter 29 “The Scattered Limbs of the Giant”: Recollecting Medieval Architectural Revivals (pages 619–638): Tina Waldeier BizzarroChapter 30 The Modern Medieval Museum (pages 639–655): Michelle P. Brown