جزییات کتاب
A Companion to Roman Love Elegy is the first comprehensive work dedicated solely to the study of love elegy. The genre is explored through 33 original essays thatoffer new and innovative approaches to specific elegists and the discipline as a whole.Contributors represent a range of established names and younger scholars, all of whom are respected experts in their fieldsContains original, never before published essays, which are both accessible to a wide audience and offer a new approach to the love elegists and their workIncludes 33 essays on the Roman elegists Catullus, Tibullus, Propertius, Sulpicia, and Ovid, as well as their Greek and Roman predecessors and later writers who were influenced by their workRecent years have seen an explosion of interest in Roman elegy from scholars who have used a variety of critical approaches to open up new avenues of understanding Content: Chapter 1 Calling out the Greeks: Dynamics of the Elegiac Canon (pages 9–24): Joseph FarrellChapter 2 Catullus the Roman Love Elegist? (pages 25–38): David WrayChapter 3 Propertius (pages 39–52): W. R. JohnsonChapter 4 Tibullus (pages 53–69): Paul Allen MillerChapter 5 Ovid (pages 70–85): Alison R. SharrockChapter 6 Corpus Tibullianum, Book 3 (pages 86–100): Mathilde SkoieChapter 7 Elegy and the Monuments (pages 101–118): Tara S. WelchChapter 8 Roman Love Elegy and the Eros of Empire (pages 119–133): P. Lowell BowditchChapter 9 Rome's Elegiac Cartography: The View from the Via Sacra (pages 134–151): Eleanor Winsor LeachChapter 10 Callimachus and Roman Elegy (pages 153–171): Richard HunterChapter 11 Gallus: The First Roman Love Elegist (pages 172–186): Roy K. GibsonChapter 12 Love's Tropes and Figures (pages 187–203): Duncan F. KennedyChapter 13 Elegiac Meter: Opposites Attract (pages 204–218): Llewelyn MorganChapter 14 The Elegiac Book: Patterns and Problems (pages 219–233): S. J. HeyworthChapter 15 Translating Roman Elegy (pages 234–250): Vincent KatzChapter 16 Elegy and New Comedy (pages 251–268): Sharon L. JamesChapter 17 Authorial Identity in Latin Love Elegy: Literary Fictions and Erotic Failings (pages 269–284): Judith P. HallettChapter 18 The Domina in Roman Elegy (pages 285–302): Alison KeithChapter 19 “Patronage and the Elegists: Social Reality or Literary Construction?” (pages 303–317): Barbara K. GoldChapter 20 Elegy, Art and the Viewer (pages 318–338): Herica ValladaresChapter 21 Performing Sex, Gender and Power in Roman Elegy (pages 339–356): Mary?Kay GamelChapter 22 Gender and Elegy (pages 357–371): Ellen GreeneChapter 23 Lacanian Psychoanalytic Theory and Roman Love Elegy (pages 373–389): Micaela JananChapter 24 Intertextuality in Roman Elegy (pages 390–409): Donncha O'RourkeChapter 25 Narratology in Roman Elegy (pages 410–425): Genevieve LiveleyChapter 26 The Gaze and the Elegiac Imaginary (pages 426–439): David FredrickChapter 27 Reception of Elegy in Augustan and Post?Augustan Poetry (pages 441–458): P. J. DavisChapter 28 Love Elegies of Late Antiquity (pages 459–475): James UdenChapter 29 Renaissance Latin Elegy (pages 476–490): Holt N. ParkerChapter 30 Modernist Reception (pages 491–507): Dan HooleyChapter 31 Teaching Roman Love Elegy (pages 509–525): Ronnie AnconaChapter 32 Teaching Ovid's Love Elegy (pages 526–540): Barbara Weiden BoydChapter 33 Teaching Rape in Roman Elegy, Part I (pages 541–548): Genevieve LiveleyChapter 33a Teaching Rape in Roman Love Elegy, Part II (pages 549–557): Sharon L. James