جزییات کتاب
در اين كتاب دانيل ناگرين شش پرسش اساسي در راستاي رسيدن به يك تكنيك مستقل براي آموزش رقص را مطرح ميكند به آنها پاسخ ميدهد. اين كتاب در پنج بخش تءليف شده است. در بخشاول این کتاب ابتدا اصول شخصی مورد نیاز برای رقص را بررسی میکند. بخش دوم به مشکلاتی که در عمل نمایش از قبيل تكبر و خود بيني و مواردي از اين دست را بررسي ميكند. بخش سوم كه هسته اصلي كتاب است به پرسش شش سوال اصلي ميپردازد: چه کسی؟ مشغول چه کاری است؟ برای چه کسی؟ کجا و کی؟ و چرا؟ و بر ضد چه مانعي؟ در بخش چهارم، ناگرين ابزار کار بر روی نقش را بررسی میکند و بخش پنجم وارد عمل اجرا میشود.
Summary by rezaabasi92
In the late twenties, actors and directors of the Group Theatre, who were pioneering the use of Stanislavski's teachings, saw the value of teaching ballet and the emerging modern dance. Actors now routinely learn dance, but dancers rarely study acting. In The Six Questions, Nagrin maintains that a command of acting techniques allows the dancer to couple the passion of a body in motion with the heart and mind of the dancer. In five parts, the book first examines the personal essentials demanded by dance. The second part looks at the pitfalls inherent in the act of performing from vanity to self-hatred. The third part, the core of the book, poses six questions: Who? is doing what? to whom? where and when? and why? and against what obstacle? In the fourth part, Nagrin looks at the tools for working on the role, and the fifth part enters into the very act of performing. All of the work is handled in terms of movement alone: no dialogue or scenes from plays are used. The Six Questions is a companion piece to Nagrin's other works, How To Dance Forever, and Dance and the Specific Image: Improvisation. Together they present an invaluable teaching and learning tool for anyone in love with dance.