دانلود کتاب A Companion to Rock Art

Content: Chapter 1 Research Issues and New Directions: One Decade into the New Millennium (pages 1–14): Jo McDonald and Peter VethChapter 2 Rock Art and Shamanism (pages 15–33): J. David Lewis?WilliamsChapter 3 Pictographs, Patterns, and Peyote in the Lower Pecos Canyonlands of Texas (pages 34–50): Carolyn E. BoydChapter 4 Variation in Early Paintings and Engravings (pages 51–68): Iain DavidsonChapter 5 Rock Art and Seascapes (pages 69–89): Ian J. McNiven and Liam M. BradyChapter 6 The Social Dynamics of Aggregation and Dispersal in the Western Desert (pages 90–102): Jo McDonald and Peter VethChapter 7 Rock Art and Transformed Landscapes in Puerto Rico (pages 103–124): Michele H. Hayward and Michael A. CinquinoChapter 8 Megalithic Rock Art of the Mediterranean and Atlantic Seaboard Europe (pages 125–142): George NashChapter 9 North American–Siberian Connections: Regional Rock Art Patterning Using Multivariate Statistics (pages 143–159): Alice TratebasChapter 10 Southern Melanesian Rock Art: The New Caledonian Case (pages 160–178): Christophe SandChapter 11 Rock Art Research in India: Historical Approaches and Recent Theoretical Directions (pages 179–196): James Blinkhorn, Nicole Boivin, Paul S. C. Tacon and Michael D. PetragliaChapter 12 Engendering Rock Art (pages 197–213): Kelley Hays?GilpinChapter 13 Pictures of Women: The Social Context of Australian Rock Art Production (pages 214–236): Jo McDonaldChapter 14 Engendering North European Rock Art: Bodies and Cosmologies in Stone and Bronze Age Imagery (pages 237–260): Joakim Goldhahn and Ingrid FuglestvedtChapter 15 Understanding Pleistocene Rock Art: An Hermeneutics of Meaning (pages 261–275): Oscar Moro Abadia and Manuel R. Gonzalez MoralesChapter 16 Rock “Art” and Art: Why Aesthetics should Matter (pages 276–293): Thomas HeydChapter 17 Recursive and Iterative Processes in Australian Rock Art: An Anthropological Perspective (pages 294–305): Howard MorphyChapter 18 A Theoretical Approach to Style in Levantine Rock Art (pages 306–321): Ines Domingo SanzChapter 19 Rock Art in Situ: Context and Content as Keys to Meaning (pages 323–340): Linea SundstromChapter 20 Symbolic Discontinuities: Rock Art and Social Changes across Time and Space (pages 341–363): Maria Isabel Hernandez LlosasChapter 21 Parietal Art and Archaeological Context: Activities of the Magdalenians in the Cave of Tuc d'Audoubert, France (pages 364–380): Robert Begouen, Carole Fritz and Gilles ToselloChapter 22 Rock Art, Inherited Landscapes, and Human Populations in Southern Patagonia (pages 381–397): Judith Charlin and Luis A. BorreroChapter 23 When Worlds Collide Quietly: Rock Art and the Mediation of Distance (pages 399–419): Ursula K. FrederickChapter 24 Picturing Change and Changing Pictures: Contact Period Rock Art of Australia (pages 420–436): Paul S. C. Tacon, June Ross, Alistair Paterson and Sally MayChapter 25 Rock Art, Identity, and Indigeneity (pages 437–454): Robert LaytonChapter 26 Shamanism in Indigenous Context: Understanding Siberian Rock Art (pages 455–471): Andrzej RozwadowskiChapter 27 Rock Art, Aboriginal Culture, and Identity: The Wanjina Paintings of Northwest Australia (pages 472–487): Valda Blundell and Donny WoolagoodjaChapter 28 Rock Art and the UNESCO World Heritage List (pages 489–514): Nuria SanzChapter 29 Safeguarding a Fragile Legacy: Managing uKhahlamba?Drakensberg Rock Art (pages 515–531): Aron MazelChapter 30 Managing Rock Art Sites (pages 532–545): Valerie MagarChapter 31 From Discovery to Commoditization: Rock Art Management in Remote Australia (pages 546–561): Peter VethChapter 32 Radiocarbon Dating of Rock Paintings: Incorporating Pictographs into the Archaeological Record (pages 563–582): Karen L. Steelman and Marvin W. RoweChapter 33 Twelve Years of Research in Chauvet Cave: Methodology and Main Results (pages 583–604): Jean Clottes and Jean?Michel GenesteChapter 34 In Suspect Terrain: Dating Rock Engravings (pages 605–624): David S. WhitleyChapter 35 Digital Enhancement of Deteriorated and Superimposed Pigment Art: Methods and Case Studies (pages 625–643): Liam M. Brady and Robert G. GunnChapter 36 Robust and Scientifically Reliable Rock Art Documentation from Digital Photographs (pages 644–659): Mark Mudge, Carla Schroer, Tommy Noble, Neffra Matthews, Szymon Rusinkiewicz and Corey Toler?FranklinChapter 37 Engaging a New Digital Citizenry (pages 660–669): Michael Ashley and Cinzia Perlingieri