دانلود کتاب The musicography of the "Manuscrit du Roi"

Acknowledgements ivIntroduction vChapter 1: The Neglect of Musicography 1The Modal Theory (c1900-1950) 2; The Oral Theory (c 1950-present) 12;The Precedents of Musicography 21; Musicography Defined 27Chapter 2: The "Manuscrit du Roi"The Story of Sigla 29; The Becks' Edition and Its Impact 39Chapter 3: The GatheringsThe Ordering of Gatherings 48; A Critique of the Becks' Edition 56; The Gathering Structure 61Chapter 4: The Compilation ProcessThe Original Commission 81; The Exemplars 87; The Layout and Writing 98; Some Later Clues 106Chapter 5: Towards a Musicography of Secular MonophonyThe Main Hands 116; Hands of Related Manuscripts 123; Four Musicographic Categories IIIChapter 6: The Musical HandsThe Pieces Added to Existing Staves 153; The Pieces Added to Added Staves 162; Further Musicographic Groups 177Chapter 7: Plicae and ErasuresPlicae 183; Erasures 197;ConclusionWorks Cited