جزییات کتاب
This was my main textbook for my first tonal counterpoint course, and is probably the one I still refer to most - clearly explains contrapuntal rules in composition, starting from basic polyphony to four-voice fugal writing. The emphasis is on tonal counterpoint, rather than specie counterpoint, and most of the examples cite Bach works, though Kennan provides a variety of them, for the student to have as reference. I remember his tonal and structural outlines of a fugue's organization and explanation of tonal and exact answers to be especially helpful.
Also recommended: the Counterpoint exercise book by Kennan, which I found particularly useful, the two counterpoint books by Gauldin, and for historical significance, Fux's Study of Counterpoint.
درباره نویسنده
کندک خنجر، روستایی از توابع بخش مرکزی شهرستان هفتکل در استان خوزستان ایران است.