نتایج جستجو
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Interpreting Music
Lawrence Kramer, 2010
Interpreting music
Lawrence Kramer, 2011
Interpreting music
Kramer, 2011
Why Classical Music Still Matters (Simpson Book in the Humanities)
Lawrence Kramer, 2007
Electronic Music: Systems, Techniques and Controls
Allen Strange, 1983
Recording Music on Location
Bruce Bartlett, 2006
Recording Music on Location. Capturing the Live Performance
Bruce Bartlett, 2007
Recording Music on Location: Capturing the Live Performance
Bruce Bartlett, 2014
Absolute Music, Mechanical Reproduction
Arved Ashby, 2010
British Literature and Classical Music: Cultural Contexts 1870-1945
David Deutsch, 2015
Mobile, Ubiquitous, and Intelligent Computing: MUSIC 2013
Gwangbum Pyun, 2014
Correspondence of Wagner and Liszt, Volume 1 (Cambridge Library Collection - Music)
Richard Wagner, 2009
Correspondence of Wagner and Liszt, Volume 2 (Cambridge Library Collection - Music)
Richard Wagner, 2009
Dies irae : a guide to requiem music
Robert Chase, 2003
Hit Brands: How Music Builds Value for the World’s Smartest Brands
Daniel M. Jackson, 2013
Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure
Eldritch Priest, 2013
Form, Program, and Metaphor in the Music of Berlioz
Stephen Rodgers, 2009
Formalized Music: Thought and Mathematics in Composition
Iannis Xenakis, 2001
Formalized Music: Thought and Mathematics in Composition (Harmonologia)
Iannis Xenakis, 1992
Institutional Economics and the Formation of Preferences: The Advent of Pop Music
Wilfred Dolfsma, 2004